Thursday, 28 May 2009

Playing in May

I haven't posted much lately but this doesn't mean I haven't been busy, both out there in the real world and in the quiet of my workroom.

First, remember the flowerpot? I haven't touched it since I last posted about it here, but I've added a little more paint and I think one more painting session will bring it up to the point of stitching. At last! Here's how it looks now: Mostly I added highlights, and it just needs some shadows on the white flowers and a little more paint on the edge of the step.

My friend Tricia was working on a piece at Fibrecircle this week and it really confirmed for me that this needs hand stitching, not machine. The Jan- Irvine-Nealie style of stitching isn't what I have in mind but rather using seed stitch so suggest the roughness of the brickwork behind the flowers. The hard machine line will be too strong. Stay tuned!

I've also been making quite a lot of monoprints on fabric. I have always been interested in monotyping and monoprinting but I recently bought a book called "Monotype: mediums and methods for painterly printmaking" by Julia Ayres, which has made me quite excited about the process again. I mostly make this kind of print with fabric paint left over from whatever project I've been painting on, but I think perhaps the monotype may just be the main activity for a while! Here's some things I've begun lately: A simple monoprint pulled from a glass plate and then over-painted.
This is a straight monotype (not altered from the original print) made as a coffee mug insert.And here it is in the mug:
This one was the ghost of the first print, over-painted. The designs need to be quite bright to be visible and exciting under the thick plastic outer layer. In this one the plate was repainted, with the original image as a guide. It was inverted before printing, and then over-painted once it was dry. They are all very different, aren't they? That's the fun part about making monotypes and monoprints!

I've also begun painting another of my "paint rags". It's an odd shape - 21 1/2in x 8 1/2in. Originally it looked like this:
It immediately said "boats on the shore" to me so it was set aside. I envisage the larger ship as a hulk, dragged up on the shore and left to fall apart, with the smaller boat pulled into its lee. I was trying to capture the rust and rough texture of the old boat, but I still have some way to go.

I've been trying to organise my paint rags a little lately. I haven't been marking them in any way and sometimes it's hard to remember what each one looked like before it was painted or printed again, to keep my records straight. So I am giving each one a number (I'm up to 60 already, so St Peter better not call me too soon!)and that should allow me to track each one as it gets painted or embellished, until it finally ends up in a work of art (or in the bin!). I know, you can take the librarian out of the library....


Jennifer said...

Love the flowerpot, it is looking fantastically good!

KaiteM. said...

your flowerpot looks so real and bright and happy. Fabulous. Also the mono prints are good, flowers are your thing. K.

PAMELA said...

Nola, your monoprints are interesting and I hope you may bring them to the ATASDA general meeting this coming Saturday. Recently I played with monoprinting - caught the idea from Quilting Arts magazine using Golden acrytil paints. But Monotyping, I am wondering what is that? Maybe I find have an answer on Saturday!

Glad to see you are playing again.