Showing posts with label Discharge dyeing. Show all posts
Showing posts with label Discharge dyeing. Show all posts

Friday, 13 December 2013

It's Christmas!

Well, it must be because I'm posting here!  It's been a few months. It's not as if I haven't been creating things during that time, but I got a bit tied up with the other things I contribute to - the Fibrecircle blog, the SCQuilters blog, the ATASDA NSW blog FibreTribe and the ATASDA web page. So my own blog has fallen behind. I think I need to manage my time a little better!

OK, so what have I been doing? I've dyed stuff - scarves, socks, aprons, quilters' muslin, kids' tees - with fibre reactive dyes. I've eco-dyed some stuff, with the usual surprising results. I've used discharge paste.

This scarf was painted and dyed over several sessions, to build up the colour.
 

This one was dyed dark and discharged. As usual, the results were unexpected.  It's very Goth - kind of Midnight Roses - with a lot of pattern and texture.


Brush Box bark, Ironbark leaves and Eucalyptus cinerea leaves went into the making of this one.
 
 
Here's a detail shot of it. Luscious colour that doesn't seem to be typical of my eco-dyeing.

And this one was also eco-dyed, in Ironbark bark. It's picked up this gorgeous subtle colouring, including the crackle pattern.
And here's the detail shot...

There have been others but I don't want to bore you. Some have sold and some, I suspect, only a mother could love, which is where over-dyeing and discharging can work their magic. Sometimes, the least promising ones at the beginning turn out astounding by the end.
 
I'm in the process of setting up an Etsy shop, so I hope to have some stuff listed for sale soon. I'll add the link here, when I do, just in case someone actually wants to buy something! But really, when it comes down to it, I guess I'm doing all this for the fun of it.

Happy Christmas and see you in the New Year!

Friday, 21 December 2012

Four days til Christmas!

Where did the year go? If I look back on my blog, it was clearly filled with interesting and creative times! In January, I was weaving plastic strips into a bag. By March, I was making earrings and a bag, as well as getting the travelling suitcase exhibition on the road. From May until August, I was constantly doing breakdown printing – a fascinating process! And from August til now, I was dyeing like a madwoman, both with native plants and with fibre reactive dyes. And painting fabric, which is my fall back activity.

At this moment, I’m putting together the last jumper I knitted in the cool weather, making another bag, piecing quilt blocks by hand and dyeing anything that stands still long enough. Oh, and I have weaving on the loom. No wonder that I haven’t paused to update the blog recently!

So what’s been happening in the last month or so?

First of all, my friend Jennie brought me back some gorgeous presents from Canada. First, there was this beautiful trivet, which, contrary to expectations, is made of glass! It’s very light and a truly gorgeous colour, and of course, has the Canadian maple leaf.

Second, she found this fantastic French Canadian cookbook at a stall. Its title translates as “from the garden to your table”, which is very much my food preference! It tells you, in French, about the various fruits and vegetables and then gives you interesting recipes to make with your produce. I haven’t made anything from it yet, but some of the recipes sound delicious.
Third, she gave me this beautiful calendar of Inuit art from Cape Dorset, a village on Dorset Island in Nunavut in Canada. The style of art is simple but it has a luminousness and delicacy that I love. You can read about the history of this artists’ cooperative here and see their work here .

Meanwhile, I’ve been doing some more discharging, with thiourea dioxide. It will be the last time for 2012, because it’s an outdoor activity, due to the toxicity of the chemical, and it’s getting too hot now. It’s a shame because I have a pile of fabric I want to use for this process and I really love the effects I’m getting.

 I began with screen printing, using a paper stencil on the screen. I really like the interesting effects I get with very simple repeat patterns done this way. It takes an ordinary piece of dyed cloth and improves it out of sight. I made up a Thiox solution and thickened it with DR33, to make a print paste. The Thiox needs to be used quite quickly to be effective, so you need to be set up, ready to go, when you do this step.

This is the pattern on my screen.
(Ignore the blue tinge; in this photo it had a block out agent applied after printing, so I could save the negative of the screen and use it again next time.) As you can see, the pattern has been cut freehand in strips and taped on. My cloth was cotton that I’d deliberately dyed dark with leftover dye at the end of a dyeing session, thinking it would discharge in an interesting way.
Once it was printed and steamed, it looked like this:
It's amazing how the eye makes the lines join up, even when they don't.
 
I don’t have a “before” photo for this fat quarter of cloth, but it was also dyed very dark with a mixture of colours in a dyeing session. It was printed with a second screen in the same way as the first.
Then I moved on to printing. I bought an interesting potato masher that I thought would be good for this process. I used it to stamp onto another fat quarter of cloth from an earlier dyeing session.
 
Here's the dyed cloth:
...and here it is discharged:
It’s rather good, isn’t it? I think it makes a better print block than it does a potato masher!

I also wanted to experiment with adding colour to the discharge process. I didn’t have any appropriate dyes, but I did have some powdered pigment, which I used to make up paint for my kids, about twenty-five years ago. I wondered if it would be permanent on discharged cloth. I mixed some of the blue powder into the discharge paste and stamped with the potato masher again, onto a piece of dyed cloth.
 
It looked very dark when it was wet but once it dried and was steamed, it became much lighter, so I guess I’ll need to add a lot more powder to get intense colours.
I'll be experimenting further with this combination, when the weather cools down.

I’ve also been doing some natural dyeing. The Fibrecircle group got together for a dyeing day and the results are on our blog here. Here are some of mine that I really like.
Silk paj, tied on square blocks with E. cinerea leaves in the folds, dyed in ironbark E. sideroxylon bark and ferrous sulphate.

  Silk paj,concertina's in three, folded with cinerea leaves and tied onto Tricia's parallelogram perspex blocks, dyed in a bath of helichrysum petiolare and alum.

Silk paj, tied on tongue depressors with green twine, dyed in a bath of Eucalyptus pilularis Blackbutt wood shavings and alum
This one has delicate green markings from the twine that haven't showed up well in the photograph. I love it!

Silk paj, pleated and tied with green twine, dyed in ironbark and ferrous sulphate. This one wasn’t used at Tricia’s, because the twine was obviously bleeding green dye onto the cloth and we were concerned about contamination. But there was very little green on it or in the dye bath.

These three wool skeins came out in an interesting way. I pre-soaked a scarf which had brown onion skins tied into it, and I noticed that the water was coloured. So I left two wool skeins, 2ply and 8 ply in the water for a couple of days. They both came out a gorgeous pinky colour. Then I dyed them in cinerea, wrapped around tongue depressors. So there are areas of dark pinky-beige and then darker areas from the cinerea.

 
This darker one was tied the same way but with green twine, which darkened the colour significantly.

And then there’s the Drimarene K dyeing.
 
I over-dyed some prevous eco-dyed and fire-reactive dyed scarves. This scarf had beads tied into the ends, and was dyed yellow and orange. The mokume areas weren't very successful so I retied them and redyed. I really like it now!
This scarf was eco-dyed with machine stitching along the ends. It looked pretty ordinary, so I clamped it with large metal washers and over-dyed it with blue fibre-reactive dye.
It's much improved too!
 
This one was bunched and tied and dyed with diluted fibre reactive dyes.
 
I dyed more socks too (I'm loving these!):



…and a tee and shorts for my granddaughter.

I did a whole lot of other stuff too, which I expect will show up here sooner or later!

So another year is almost over. I wonder what the next year will bring? I’m foreseeing lots of creative messy times!

Wednesday, 5 September 2012

Another great week!

Don’t you just love it when you get up in the morning with a sense of anticipation? I seem to have felt like that a lot lately, because there are so many interesting things I want to get on with. Perhaps it’s the arrival of spring this week?

I finished another postcard to swap at Fibrecircle last time. It’s another in the Forest series, and uses the same techniques as the last one – building up layers of colour using transparent Setacolor paints. I find these postcards totally absorbing to do, but they are rather time-consuming. I don’t think I could imagine making large works this way.
This began life as a section of a piece of cloth, looking like this:
 
I love seeing how these little pieces change over time!

I also had a quick play with discharge dyeing some of the less exciting results of my breakdown printing. There are always a few duds in everything I do and this looks like being an exciting way to improve some of them. It helps that the weather is warmer and I can take smelly things like discharge paste outside. I cut printer paper into random freehand strips and taped them to one of my silk screens, in a pattern vaguely like water ripples or tree bark. I mixed the Thiourea dioxide into some of the goop made with DR33 for breakdown printing and printed the screen onto my dyed fabric with the paste, just as I would with screen printing inks. Then I rolled the fabric into a small parcel and put it in my steamer for 30 minutes. Then I left them to cool down in the steamer for a few hours, while I went about my life, and then rinsed them out with gentle detergent and warm water.

This is the first one before it was discharged…
… and here’s how it looks now…
It’s gone from being a muddy mess, printed before I got the hang of how colour theory worked with breakdown printing, to something really quite interesting.
Here’s the second one before discharging…
… and now…
This one has been improved out of sight too.
Paper stencils seem to work fine for this process. I know from screen printing that you can often get 60 or so prints before the paper starts to disintegrate, which is more than enough to do this process on quite a large amount of fabric.

 I also started another pot of natural dyeing. A branch came down from the ironbark tree outside my house and, because I read somewhere that ironbark leaves will yield orange, I thought I'd give them a try. I’ve dyed a couple of times with the bark, which gives a lovely brown-black colour, especially with ferrous sulphate as a mordant, and once with the leaves and twigs and copper sulphate, which yielded a coppery tan. This time, I used just leaves, which I set to steep in hot water and left outside. After the first day, the colour was pale yellow, but by the third day, the colour was indeed a rich orange. I added a wool scarf to the pot and left it to steep for three more days, but I remembered after the fact that the wool hadn’t been pre-washed.
The colour in the pot wasn’t going any darker, so I put the pot on the burner and very slowly raised the temperature to almost boiling. The colour was a little more intense, but seemed to be going a little more towards brown. So I added some alum as a mordant and left the pot heating until it simmered gently for about half an hour. Then I left the scarf in the pot to cool down overnight. The leaves were left in the pot throughout, because some of them were becoming trapped in the folds of the wool, as I moved the cloth around, and I thought this might lead to interesting colour variations.

The result was a nice colour but alas, not orange.
Disappointing, but it is a nice rich yellow. I may try these leaves with other mordants or even leaving the pot for longer, with other mordants added. Meanwhile, this scarf has lengthwise folds ready to be clamped and redyed, so you'll probably see it again soon.