Things I've done this year...

This blog is always way behind, because so much of what I do creatively ends up on the Fibrecircle blog. That's not all I create, of course, but managing two blogs does take rather more time than one.

So what have I done this year? I finished a blouse for my daughter but photos of clothes look nothing much lying flat and she hasn't posed for a photo (nor is likely to, really!) So you'll have to take my word for that one.

I finished all the blocks for my Dutchman's Puzzle quilt, including the half and quarter blocks for the sides, since the blocks will be laid out on point. This may not sound like a huge achievement, until you realise that that these blocks were from a swap with my library co-workers back in the 1990's. I blogged about here about twelve months ago. Here's where I mention that I hand piece my quilts these days, mostly as an end-of-day therapy, and hand quilt them too. I realised that one of the things I enjoy about quilting is the meditative process of putting a needle through cloth and that I wasn't enjoying spending all my time at the sewing machine. I sew clothes by machine, and machine embellish and assemble things I make, and that's plenty of time on the machine. 

My plan with these blocks is to sash them, so I'll make a template for the sashing and contemplate whether I want to use one fabric or many for the sashing. In the meantime, I'm making more 6in Prosperity blocks for my grandson's quilt. I have a nice pile of them but I think they'll be set on the square, so I'll need a lot more yet.

I've also made a pair of earrings  and have two other pairs in the making. I'm a real sucker for earrings and, while I don't yet have a different pair to wear every day of the year, I'm working on it! These ones are inspired by in a book called Making Vintage Accessories, using lace as an element. As I had some genuine elderly lace (if it isn't quite vintage), bought when my daughter was a baby, I thought I'd play with some of it.

I painted the lace elements to suit some feature beads I bought a couple of years ago.

I've assembled one pair and even worn them! Aren't they so girly? The lace is silver, which was hard to photograph well.

I also made a little bag. Helen from Fibrecircle gave each of us a kit of fabric and some instructions. I suspect a sinister plan on her part to be rid of some of her stash, an idea I have stored away myself! It's a cute little bag, with a ring closure.

I've been busy all the time this year, sometimes creatively and much more on administration for the new ATASDA travelling suitcase exhibition, which is now on the road. My friend Maz and I decorated one of the suitcases this time, and here it is drying on the floor.

The design was inspired by a desert flower called Apteranthes europaea, common in Morocco, and other parts of North Africa. It used to be known as Caralluma europaea, so the suitcase is called Cara for short. Both suitcases are now on the road and can be booked on marrakesh@atasda.org.au.

I've also made two postcards and I'm currently painting a couple more, played with transfer printing, done some shaving cream marbling, painted quite a lot of fabric in different ways, dyed fabric and done some serigraphy monotypes, also known as deconstructed screen printing or breakdown screen printing. Most of that is over on the Fibrecircle blog, and you'll have to wait for the rest!

Time

Time is such a slippery thing! It seems like only a moment since we celebrated New Year and in a moment we'll be in March. How did that happen? Of course, I know how that happened. January was full of birthdays and lazy summer days, and February has been Suitcase Month. No, it's not my own travels I've been organising; it's the travels of Saffron and Jasmine, sister suitcases of The Maharajah's Garden travelling suitcase exhibition. About sixty member of ATASDA have made works for the exhibition, and a further 45 have made bunting pieces, to be tied together to dress up the show, or treated as individual works. The exhibition begins to travel in March, first to our Branch meetings in Sydney and Brisbane, and then all around Australia for at least two years. The range of work is amazing. Each work is accompanied by a techniques board, explaining the inspiration of the work and one technique used by the artist. Such a diversity of techniques! We on the organising committee have all found new things to try. Images of the works should be on the ATASDA website sometime in March, if all goes well.

Now the suitcases are just about ready, I feel like a mole, emerging blinking into the light and wondering what to do next! I have managed to find a little time to do creative things this month. I made my graffiti fabric into a bag, using some suede leather scraps that were the perfect colour, given to me by a friend from her stash. She in turn acquired it from someone else's stash a few years ago. The bag looks fantastic...

..but there's a tiny problem. Although I checked the leather closely for faults, it isn't quite the same leather it once was, I fear. As I sewed, I began to notice myself turning a delicate shade of pink. No, not an allergy, just the leather colour, coming off all over me. Like the fool I am, I pressed on, instead of pausing to take stock. Yes, the bag looks brilliant, but it's completely unusable, because it crocks colour onto everything it touches. Not only that, but, despite using the appropriate leather needle, stitch length and thread, the leather is simply pulling apart along the stitch lines. I suspect that leather might be older than I am, and it's decided that it's had enough.

So, I did finish my graffiti bag by the February deadline, but it's going to have to come apart again, once I acquire some new red leather. I am so in love with the look of the bag that nothing else will do!

So the moral of this sad tale is : if things start looking a bit odd when you are in the midst of a creative flow, STOP!! Do not go on mindlessly ignoring the problem. Who'd have thought, eh?