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| paper stencil |
You can read all about it on the Fibrecircle blog. Suffice it to say it was the same technique as with Claire, but I focused mostly on my paper stencils, which I had coated with Gesso to give them some heft. They were (surprise surprise!) trees. They were also experiments for the untethered piece, as I think I will probably use this technique using coated paper as stencils.
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| paper stencil positive and negative |
More weird looking trees...

This one is a print with the stencil turned over and printed from immediately. The media is really a bit wet for that. Of course, if I'd been really on the ball, I would have sprayed a different colour through the stencil while it was face down! Another good idea I had too late...
This one is a glue gun stencil - not very successful as it's small, which made it very floppy and hard to use.
This is my favourite from the day - done with a commercial stencil.
I always like layers!
Plenty of things to put in my tree book, anyway, even if God wouldn't recognise them as belonging to the plant world! And I found the gessoed paper stencils were robust enough for about seven or eight prints with this very wet media before starting to get a bit soggy, so I should be able to print my fewer prints for untethered with less runny media. Big win!







3 comments:
Definitely an interesting forest!
I saw a post somewhere which suggested putting Perspex on top of the glue gun stencil and pressing down on it firmly. This flattens it out and makes it a bit broader. I haven't tried it yet but it's on my to do list. But perhaps you do that already!
Claire tried that on our play day, Pam, but it didn't seem to make a lot of difference. I guess if the stencil comes out a bit curled, it might help to flatten it but ours came out pretty flat.
Interesting is the word, Jennie! Fortunately I wasn't going for representational!
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